THOR-SHADOW-Head-Worn-Microphone

SHADOW SH20

HEADSET MICROPHONE

SHADOW SH20 HEADSET MICROPHONE

The SHADOW SH20 headworn microphone is built for presenters and professionals who demand crystal-clear sound without compromise. This shift in how headworn microphones are designed offers an ultra-low profile with intuitive usability. Ideal for presenters, broadcast professionals, and performers, the SH20 lives in the shadows so you are able to live in the spotlight.

  • Subminiature Capsule – 3 mm omnidirectional polar pattern for accurate, uncolored sound
  • ReEx™ Boom – Retractable & Extendable for a custom fit every time
  • SwivelFit™ – Switch effortlessly between left or right ear
  • Ultra-Lightweight – Designed with presenter’s comfort in mind
  • Durable Build – Smart connection points for longer headset life
  • Fast, Easy Fit – Intuitive design for quick setup under show pressure
  • Front-of-House Approved – Seamless system integration with molded or MicroDot connector options
SHADOW SH20 Headworn Microphone
SHADOW SH20 Headworn Microphone

HOUSE
OF WORSHIP

THOR SHADOW Headset Microphone - House of Worship

Clearly communicate your message with high quality sound and minimal feedback.

THEATER
& STAGE

THOR SHADOW Headset Microphone - Theater

Articulate and discreet. Allows audiences to hear every syllable, word, and note.

CONFERENCE
& CORPORATE

THOR SHADOW Headset Microphone - Corporate

Perfect for presentations, panels, and meetings where every word matters.

SHADOW SH20 SPECIFICATIONS

Pattern Omnidirectional
Sensitivity, Typical, at 1 kHz -45 dB ± 3 dB ( 0 dB = 1V / Pa @ 1 kHz ) ( RL : 2.2KΩ DC : 3 V )
Frequency Response 40 Hz – 20 kHz
Max SPL 1 kHz at <1% THD 130.5 dB SPL Peak
Output Impedance 2,000 Ω
Equivalent noise 32 ~ 34 dB ( A-Weighted )
Weight 5 g without cable
Style Reversible dual ear ambidextrous
Boom Length 95 mm – 117 mm
Color Tan, Brown, or Black
Cable Thickness 1.4 mm
Capsule Housing 3 mm OD x 7 mm
Boom Diameter .7 mm
Connectors TA4F
3.5 mm
Microdot – TA4F
Microdot – 3.5 mm
Microdot – LEMO

MORE INFORMATION & DOWNLOADS

SUPPORT

SHADOW SH20 DOWNLOADS

FAQS

SHADOW SH20 FAQs

What type of mic is the Shadow Omnidirectional dual ear headworn mic
What type of mic connectors are available TA4F
3.5mm
MicroDot – TA4F
MicroDot – 3.5mm
MicroDot – LEMO
Be sure to check with your wireless manufacturer for connector type.
What colors are available Tan, Brown, & Black
Is the Shadow microphone able to be worn on the left or right side Yes
Will the LEMO adapter work with my system
LEMO 3 pin adapter supports:
Shure ULXD1, AD1, ADX1, ADX1M
Sennheiser EW-DX SK, SK 9000, Spectra
Sound Devices A10, A20, A20-Mini
Are there replacement parts for the SH20 Yes, replacement parts can be purchase from one of our online retailers or dealers
What are some ways to optimize the performance of your mic Adjust the gain accordingly on the microphone channel on your audio console. Position the mic capsule close to the user’s face and directed just below the corner of the mouth to avoid plosives. Tweak the channel EQ as needed based on uniqueness of the room and how your audio system is EQ’d. Dedicating one microphone for each user prolongs the performance life.
Can I paint the Shadow SH20 Yes, it is even safe to paint with alcohol markers

 

TROUBLESHOOTING

SHADOW SH20 TROUBLESHOOTING

I hear a hiss, popping, or white noise Microphone capsule placement should be just below the corner of the mouth for best audio performance. This reduces popping.

Use the optional windscreen to reduce breath or hiss. If it is more than this, there may be a loose cable at the connector, either by the ear hook or the belt pack.

The Mic cap may be loose and amplify the slight capsule movements. Mute the mic and then gently and firmly tighten the cap.
I have feedback consistently All sound systems are tuned specifically to the room. Each channel on your audio mixing console further customizes the sound for each input. On the microphone channel, try using a high pass filter (HPF). This allows only the higher frequencies to be heard. Additionally, try slightly decreasing the EQ frequencies between 300-500Hz. Other frequencies to decrease may be in the 5-10kHz range.